The Boat and Bridger
CLIVE
Yes, I did. I spoke to someone. A girl. I don’t know…Becky? Or Vicky? I don’t know, it ended in cky! No, you know what it’s coming right back to me, it was Go Fucky Yourself, you know her, yeah? Make it happen or I’ll eat your teeth.
[HE HANGS UP]
Fuck!
BRYONY
Do you recycle your threats?
CLIVE
Do I what?
BRYONY
You told Warren you’d eat his teeth a few weeks back. I always found your profanity at the very least inventive and presumably spontaneous. Feel like I’m seeing behind the curtain a bit here. Very disappointing.
CLIVE
I do my best with what I have Bryony, but the ratio of time versus volume of cunts I’m surrounded by means I’m reluctantly forced to return to the well every now and then. We’ve got a little time now though, I’ll see what I can cook up between here and Glasgow.
BRYONY
Why so angry, Clive?
CLIVE
Why so angry? Look at this guy. He’s the Chosen One and he looks like roadkill.
BRYONY
We were literally about to induce him for anaesthesia. The Hartshorn was taken out of containment for transfusion by the way. It can’t go back in, do you understand that? It’ll be too degraded. So, it’ll go in the bin. Do you understand the time and money involved in every element of this operation? I thought that was all you cared about.
CLIVE
Then maybe you shouldn’t be dropping him in and out of hypersleep like it’s a spa treatment!
BRYONY
There is a window in which we can gain crucial data from Warren’s response to the treatment. It’s not a big window. If you want to show your boss what we’ve found here in the best light possible, you’ll turn this helicopter around and let me utilise this time as best I can.
CLIVE
The board need more than papers, or blood results, or tapes or footage. To make this fly you need a tactile approach. They need to see him. They need to shake his hand. They need to speak to him. Oh Jesus, he can speak, can’t he?
BRYONY
Warren, show him you can speak.
[A PAUSE]
[CLIVE CLICKS HIS FINGERS ANXIOUSLY, WARREN MUMBLES]
WARREN
This helicopter is really loud.
CLIVE
I’m sorry?
WARREN
[raising his voice awkwardly] This helicopter. It’s really loud.
CLIVE
Well, he’ll be useful if we need to land in a disabled parking space. Is this pre-med going to wear off? Is he actually going to be able to do this?
BRYONY
The pre-med? That wore off ages ago. And no, I don’t think he’s going to be able to ‘do this’.
CLIVE
What do you mean ages ago? I thought he’d gone sponsored silence because you gave him a benzo?
BRYONY
No, I expect he’s in shock because he just found out he’s a murderer.
CLIVE
Because he what?
BRYONY
He still didn’t know what he was in prison for. I thought he and Gordon would’ve had some… you know tedious heart to heart about it by now but apparently they’ve both procrastinated in favour of playing GoldenEye. So, I told him.
CLIVE
When?
BRYONY
About 45 minutes ago.
CLIVE
Why…why would you do that?
BRYONY
It came up in conversation. He was about to sleep it off.
CLIVE
Why didn’t you tell me this before we took off?
BRYONY
You were in a hurry. You said they stopped doing food at half past 8.
CLIVE
And… and he didn’t know this before. This is brand new information to him. All this time, and he hasn’t remembered.
BRYONY
It’s not like a movie, Clive. He doesn’t catch himself in the bathroom mirror and have a desaturated flashback in a low frame rate. We blew those memories out of his head with extremely powerful drugs.
CLIVE
Well can you do that now? What have you got in your bag?
BRYONY
I’ve got tampons and contact lenses in my bag. Clive you’re sweating.
CLIVE
You seem to think this is hilarious.
BRYONY
Am I laughing?
CLIVE
This is as close to laughing as I’ve ever seen you get.
BRYONY
What have you been telling the board all this time, Clive?
CLIVE
That Kontinue works! That hypersleep is real! That cryonic preservation is not an idiotic fairytale but a real tangible hope for our future! They want to see Sigourney Weaver waking up with grace and dignity in a white vest top -
BRYONY
So, why are you bringing them Warren? I’ve seen him in skimpy underwear, Clive. He is not Sigourney Weaver.
CLIVE
They just need proof of viability! Clearly it doesn’t need to be Sigourney Weaver. I’ll take a Tom Skerritt.
BRYONY
Tom Skerrit died.
CLIVE
Ian Holm.
BRYONY
He died. And he was a robot!
CLIVE
John fucking Hurt then!
BRYONY
Have you actually seen Alien?
[CUT]
GORDON
Aubrey? Aubrey!
AUBREY
What’s going on? The helicopter left so quickly.
GORDON
They took him!
AUBREY
What?
GORDON
They took him. Clive and Bryony. He’s gone with them.
AUBREY
I thought they were putting him in the pod!
GORDON
They were! They were literally about to knock him out. But Clive insisted, he said there was an urgent meeting called in Glasgow, and Warren needed to be there. That it was make or break.
AUBREY
Well, fuck.
GORDON
What does it mean? Are they going to bring him back? He’s a mess, Aubrey, I don’t know what happened when we weren’t together earlier, but he doesn’t look right. Like… like, even more than usual. He wouldn’t say anything when he went. He couldn’t even look me in the eye.
AUBREY
Gordon, I feel like this is my fault.
GORDON
What? Why?
AUBREY
I reached out to a friend of mine in the company. Well, she’s my ex. Hester. I sent her the recordings you gave me of what Bryony’s been doing. If she can get that in front of the right people they won’t stand for it, if it went public it could destroy the company. I trust her, Gordon. This meeting must be about that. That… that’s why they want to see Warren.
GORDON
You sent top secret recordings to your exgirlfriend?
AUBREY
She’s a good person.
GORDON
So good you broke with up her?
AUBREY
She broke up with me. That’s beside the point.
GORDON
Whatever. She’s Overhead!
AUBREY
So are you! So was I!
GORDON
You didn’t think to tell me this earlier?
AUBREY
I was waiting, I thought she might…I don’t know…
GORDON
Aubrey, those recordings came from me. If that gets back to Bryony and Clive, how do you think they are going to react?
AUBREY
Then it’s time to get you out, Gordon.
GORDON
Out?
AUBREY
I’ll come and get you. Through the tunnel.
GORDON
And do what? Go on the run in the Mazda Bongo Friendee? What about Warren?
AUBREY
We’ll get him out. We’ll figure it out.
GORDON
Aubrey, I’m not leaving him. No fucking way.
[PAUSE]
[THE WIND HOWLS]
AUBREY
Then there’s only one thing for it isn’t there.
GORDON
What?
AUBREY
It’s time to do a Rambo.
[CUT]
[A STREET IN GLASGOW, DRIZZLY, COLD AND BUSTLING]
CLIVE
Right, we’re here. How you doing, Warren? You with me?
BRYONY
Best friends all of a sudden, are we?
WARREN
What’s here?
CLIVE
This is the meeting.
BRYONY
You were imagining some steel and glass tower overlooking the city, weren’t you? Not for the likes of us. We meet in the function room above the Boat and Bridger on Argyll Street.
CLIVE
Look at the state of you, is your nose bleeding?
WARREN
No, no. I mean it was when we landed. I think it’s stopped now.
CLIVE
What size shirt is he?
BRYONY
What?
CLIVE
Warren, take off your coat.
BRYONY
You’re giving him your shirt?
[CLIVE REMOVES HIS JACKET AND STARTS TAKING OFF HIS SHIRT]
CLIVE
It’ll be too big for him but at least it’ll look like he made an effort. Warren, put the shirt on.
WARREN
Yeah, sure.
BRYONY
And you’re just going to t-shirt and blazer like you’re Tony Stark.
[CLIVE IS OCCUPIED BUTTONING UP WARREN’S SHIRT FOR HIM]
CLIVE
My t-shirt cost more than your outfit. Ok there. That’s better than nothing. Pull your shoulders back. Okay. Warren, I need you to… look, we’re going to forget about the murder thing for a while, yeah? We’re all murderers here. Bryony, you, me. That door man probably, guy on the corner there with the neck tattoo, I bet he’s killed someone. But you’re special, alright? I’ve never told you this, but…I’ve got a lot of respect for you, Warren.
BRYONY
Uh… I need a drink.
[BRYONY WALKS THROUGH THEM AND OPENS THE PUB DOOR]
[THE SOUND OF THE PUB ENVELOPS THEM, LOUD AND HARSH]
[THEY BUSTLE THROUGH THE CROWDED ROOM]
CLIVE
Hi. It’s Vicky, right? Becky! You know I knew it was wrong the moment it came out of my mouth!
BRYONY
What do you want to drink?
[THE NOISE IS GETTING LOUDER]
WARREN
Um. Gu… Guinness.
BRYONY
What?
[THE NOISE REACHES A CRESCENDO]
[SUDDEN CUT]
[SILENCE, EXCEPT FOR A CLOCK TICKING AND CLIVE NERVOUSLY DRUMMING HIS FINGERS]
BRYONY
You see Warren. No expense spared here. There’s a dartboard and everything.
CLIVE
Don’t listen to her, Warren. How many of the world’s greatest ideas were hashed out on the back of a beermat, right?
BRYONY
This one says, ‘Blowy for a tenner, email World’s Best Blowy @AOL.com.’
CLIVE
Oh… Fuck off, Bryony.
[THE DOOR OPENS]
[THREE PEOPLE WALK IN AS CLIVE STANDS UP TO GREET THEM]
[THEY TAKE SEATS THE OTHER SIDE OF THEIR LARGE TABLE]
CLIVE
Malcolm. Francesca.
FRANCESCA
Hello, everyone!
MALCOLM
Clive! My boy! And Bridget!
BRYONY
Bryony.
[MALCOLM SNAPS HIS FINGERS]
MALCOLM
Bryony. Of course. There’s just so many of you.
BRYONY
Yes, everyone says that, far too many women in science.
FRANCESCA
Clive. Bryony. This is Hester, Malcolm’s PA. You don’t mind if she sits in?
HESTER
Hello.
CLIVE
Of course not.
MALCOLM
First things first. Have you all ordered? You know they close the kitchen at half past 8 now?
CLIVE
Yes, we’ve ordered.
[to bryony and warren] I went steaks all round. Medium rare? Peppercorn sauce? Hope that’s cool.
FRANCESCA
Of course you did. So Clive, are you going to introduce us, or…?
MALCOLM
Oh straight down to business, eh!
CLIVE
I would expect nothing less. Warren, this is Malcolm Landry, Senior Vice-Chairman of Overhead Industries, and Francesca Jones, Acting Director of Research and Development.
[AN AWKWARD PAUSE]
WARREN
Hello.
CLIVE
Malcolm, Francesca. This is Warren Godby. The first successfully revived client of the Kontinue program.
MALCOLM
Ahh… lovely… good evening Mr Godby. And… and thank you for joining us.
FRANCESCA
I want you to tell me everything about this man.
CLIVE
Warren is the key, that opens the door, that lets us walk the path of human longev -
FRANCESCA
Dr Halbech. I want to hear everything. From you.
BRYONY
I don’t know about the key that opens the magic door to the garden of whatever, but yes, Warren is the first subject to have emerged from cryonic preservation. Or hypersleep. He has Kontinued, if that’s what we’re all going with.
FRANCESCA
Okay. So, how many before him failed to…Kontinue, exactly?
BRYONY
I was allocated assets, I used those assets. Was I meant to be keeping count?
FRANCESCA
Since you’ve been in charge there have been five cohorts. That’s 30, 40 subjects and you’re telling me Warren here is the only one left?
CLIVE
The… the first to succeed. He’s the breakthrough. He’s everything.
BRYONY
Let’s not get carried away.
CLIVE
We could get carried away a bit. They haven’t even brought out the breadsticks yet.
MALCOLM
Does… it… work? On a rating of 1-10?
CLIVE
If we’d brought our Strictly scorecards, we’d all be holding up a pretty resounding -
BRYONY
One.
FRANCESCA
One?
BRYONY
One. Everyone else is dead, or in the wind. Subjects and staff. Apart from the department store mannequins we’ve left babysitting this evening. So, I consider that a zero. But yes, I guess we have Warren. So, one out of ten.
CLIVE
Dr Halbech makes self-deprecation an art form, Malcolm -
FRANCESCA
Mr Godby? You can add your two cents if you like.
WARREN
Me?
FRANCESCA
Yup.
WARREN
Could I get another Guinness, please?
MALCOLM
Haha! I like him already. Certainly young man, now certainly! Clive, you… you wouldn’t mind, would you?
CLIVE
I - you want me to - get drinks?
MALCOLM
Scotch for me. Fran?
FRANCESCA
I’m fine thanks.
MALCOLM
Doctor?
BRYONY
Shiraz please Clive. Just a small.
MALCOLM
Nonsense! A bottle of the shiraz and some more glasses, it’ll be good with the meat.
CLIVE
Right. I guess I’ll…order drinks.
MALCOLM
Yes.
[CLIVE QUICKLY DEPARTS]
FRANCESCA
Ok so, what’s the secret? Why’s he alive and everyone else not?
BRYONY
Warren has an altered brain chemistry from most other people.
FRANCESCA
Altered how?
BRYONY
Warren’s experiences have led him to an untreated form of post-traumatic stress disorder. This has led quite unexpectedly to a tolerance of the treatment I’ve developed.
MALCOLM
The Hartshorn infusion.
BRYONY
Yes.
MALCOLM
Yes, well I… I always liked that name. It’s got a classical twang to it
BRYONY
Thank you.
FRANCESCA
He survives the treatment because he’s got PTSD?
BRYONY
I think so.
FRANCESCA
You think so?
BRYONY
In all honesty I don’t know. Saying it out loud sounds ridiculous. I have no explanation as to why an enlarged amygdala would make ice crystals less likely to split your blood vessels apart. But it’s the theory I’ve been working with since his first successful emergence from hypersleep.
FRANCESCA
But you’ve no idea how it works?
BRYONY
You know we don’t know how anaesthesia actually works? We know that when we turn it on you go to sleep, and when we turn it off you wake up. We know how much to give you. And how long for. The rest might as well be magic.
FRANCESCA
We don’t deal with magic, Dr Halbech.
BRYONY
I entirely agree. This meeting wasn’t my idea.
FRANCESCA
So, how have you been working on this theory exactly?
BRYONY
I’ve been exacerbating his condition over the last few months with a combination of medication and behavioural triggers. The process of going into hypersleep is at this stage relatively traumatic in and of itself, so that’s been fortunate.
FRANCESCA
Fortunate.
BRYONY
Yes, in as much as one out of ten is better than zero.
[CLIVE RE-ENTERS THE ROOM WITH A TRAY OF DRINKS]
CLIVE
Here we are.
MALCOLM
Ah! Oh, yes. Wonderful.
CLIVE
Ah, where are we up to?
FRANCESCA
I’ll tell you where we’re up to. Hester?
HESTER
…Yes?
FRANCESCA
Could you play everybody that recording that you showed me and Malcolm earlier?
HESTER
I don’t think…that wasn’t meant to -
FRANCESCA
Come on. Don’t be shy.
HESTER
Excuse me… yes umm… yeah. Okay.
[WITH MUMBLED APOLOGIES, HESTER RELUCTANTLY PRODUCES A BLUE SKY SPEAKER WHICH TINKLES TO LIFE]
[VARIOUS NOISES FROM A TABLET - UNLOCKING, THE CLICKS OF OPENING AN APP]
[SHE HITS PLAY AND A RECORDING BEGINS]
[IT’S WARREN, ABOUT TO HOLD HIMSELF HOSTAGE AT RED VALLEY]
WARREN
I’m trying to say… It sounds ridiculous. This is a hostage situation.
CLIVE
_A what? _
GRACE
How are you going to hold us hostage?
WARREN
Oh no. I mean. I’m holding myself hostage. Look like this.
[WITHOUT WARNING WARREN PLUNGES THE SCALPEL STRAIGHT THROUGH HIS OWN HAND]
[EVERYONE SCREAMS AND REACTS, EXCEPT BRYONY]
CLIVE
Jesus fucking Chri-
PAMELA
Oh my god!
GRACE
Argh! Fuck!
GORDON
Warren, what are you doing!
PAMELA
Oh my gosh!
CLIVE
This is what I’m talking about.
BRYONY
I wouldn’t worry about it.
CLIVE
Who’s worried. He’s just put a scalpel through his bloody hand. Godby I swear to the god of fuck, if you don’t pull your shit together –
HESTER
[over the recording] Francesca, it wasn’t my intention when I brought this to you -
FRANCESCA
Shh. I like this bit from Warren. Vivid imagery.
WARREN
I know I know I know. You’ll grind my brains into caviar, you’ll drape your iron balls around my neck and bang them against my skull like a Newton’s cradle until my teeth fall out. It’s all very intimidating. But unnecessary. What I’m saying is, I’m happy to do it. I’m… I’m happy to go back in the special box, I don’t mind.
MALCOLM
A Newton’s cradle made of testicles. Umm… I love it.
WARREN
Tha… Thank you.
[THE RECORDING CONTINUES]
GRACE
Warren, listen it’s me -
WARREN
Whoa whoa whoa Dr Melé, back up or I’ll push this right through my fucking neck. I’m not fussed. I’m really not fussed.
[THE RECORDING ENDS]
[AN AWKWARD PAUSE]
BRYONY
Where did you find that I wonder? Er… Hester, wasn’t it?
HESTER
Yes. No, I - I didn’t -
CLIVE
Francesca. Malcolm. A role like mine is like a many-sided die, there are facets, multiple facets that must be employed to maintain -
FRANCESCA
So, correct me if I’m wrong, you’ve tortured this man physically and mentally for months, whilst encouraging destructive patterns that have led to self-harm and violence while repeatedly putting his life in danger -
BRYONY
Good lord. You were right, Malcolm, the bottle was a good idea.
[BRYONY POURS HERSELF A LARGE GLASS OF WINE]
I’m no stranger to using ten words when two will do but for the sake of brevity let’s cut the shit shall we. Miss Jones. This is not Law & Order. You don’t need to play me any more recordings. I was there. That any part of my work is considered clandestine is your decision, not mine. This is the function room of the Boat & Bridger, not the end of A Few Good Men. Let’s tell each other what we actually want.
CLIVE
Oh right, I want -
BRYONY
Clive wants his name, face and penis attached to the next great breakthrough in tech. He wants all the power and glory that Kontinue would provide, because he is a small man with a small mind. He’s the kind of man who orders a woman’s food for her. What more must be said.
MALCOLM
Actually, Clive my boy, could you chase up the food, I… I’m famished.
CLIVE
Sorry, do you all think I’m someone else?
[THE DOOR OPENS, AND TWO WAITING STAFF ENTER WITH FOOD]
[THE CLATTER OF PLATES]
MALCOLM
Ah! Not to worry! Marvellous.
WAITER
Duck l’orange?
MALCOLM
Yes, that’s me! Go on, go on my dear. Don’t mind the help. If they repeat anything they’ve heard in here… we’ll just have them shot, won’t we!
[THE SERVING STAFF LAUGH NERVOUSLY AND UNDERNEATH BRYONY’S VOICE QUIETLY DELIVERS THE REST OF THE FOOD, LEAVING WHEN FINISHED]
BRYONY
Malcolm Landry. You want to live forever.
WAITER
Steak, madam?
BRYONY
Yes, thank you. To many, your ability to disregard human suffering in the name of your own selfinterest would be horrifying, however, I think you carry it off with aplomb, with a grace and humour I begrudgingly find quite endearing.
MALCOLM
Thank you, my dear.
BRYONY
Warren, what do you want?
[WARREN HAS IMMEDIATELY TUCKED INTO HIS STEAK]
WARREN
[mouth full] What do I want?
BRYONY
Yes, you. And speak up for the recording that Hester here is undoubtedly making.
WARREN
I… I just want to go back into the pod.
BRYONY
Ah… one more time for the cheap seats.
WARREN
I’d like to… go… go back into the pod, please.
BRYONY
Thank you. My turn. I want ten times the budget. I want 20 times the man and womanpower. I want my next cohort to be made up of PTSD sufferers. Military to begin with. Civilian to follow. I want this project finally given the resources the full force of Overhead are able to provide, I’d appreciate it if I wasn’t dragged across the Highlands by helicopter to be stared at like I’m shit off the Acting Director’s shoe and I want my steak cooked medium fucking well.
[SHE TOSSES HER FORK ON TO HER PLATE]
FRANCESCA
Are you done, Doctor Halbech?
BRYONY
Yes. It’s clear everyone in this room, albeit for very different reasons, wants the same thing. Except for you. So, Francesca Jones, what do you want?
FRANCESCA
You know, I’m well aware of Overhead’s darker corners. This company is full of people making ethical compromises to get things done. There is a limit though, to what we as a company are willing to endorse. To what I, as Acting Director, am willing to… overlook. You’ve been allowed to proceed unchecked for far too long, Bryony. I want to give Kontinue the full force of Overhead’s resources. I want to give it ten times the budget, and twenty times the people. But if this project is to flourish as we all believe it should, it needs to come out of the shadows. And we can’t afford to have the likes of you in the spotlight.
BRYONY
I think I see where this is going.
MALCOLM
Now my dear, I want you to imagine the Kontinue project as an egg sandwich.
BRYONY
Okay, I take that back.
MALCOLM
What makes an egg sandwich a success? What makes it really sing?
BRYONY
I - hmm -
MALCOLM
Come on… come on… It’s cress! Cress!
BRYONY
Francesca, how many drinks ahead of us is he?
MALCOLM
Now I don’t know how you learned about photosynthesis at school -
BRYONY
Photosynthesis?
MALCOLM
–But at Chieveley Grammar they taught us via a wonderfully simple experiment, two trays of cress. One was left in the classroom near the window, one was locked up in a cupboard in the dark. Now, over the next few days the cress in the classroom grew slowly but surely, short stubby little stems, little green leaves. In short, the perfect garnish for an egg sandwich.
[PAUSE]
Now… the cress in the cupboard grew much taller, and much more quickly. But try as it might, it could never reach the light. Now, over the next few days the roots grew dry, the leaves yellowed. And by that point, all the sunlight and the good intentions in the world wouldn’t make you put that cress anywhere near a decent egg mayonnaise sandwich. Do you see what I’m getting at, Bethany?
BRYONY
It’s Bryony.
MALCOLM
Of course, it is.
BRYONY
I’d be interested to know how you plan on taking this project any further without me.
FRANCESCA
Please. You’re not the only person in the world working on hypersleep. You’re not even the only person in this company working on hypersleep. You are however the only person with at least 24 dead bodies lying on top of their CV. And frankly, I’m fed up to the back teeth with you.
[PAUSE]
[to clive] Clive, you’re a boy dressed up in his dad’s suit, but you’ve brought things this far. So, you have the full backing of this board to take Kontinue to the next stage, but you’re in house now. Which means I’m on to you. So, no more of your bullshit.
CLIVE
I… yes. Whatever you want. Thank you. Ma’am.
FRANCESCA
Shut up. I’d like you to escort Dr Halbech and Mr Godby back to Red Valley, if the safest thing to do is to put him back into hypersleep, so be it. Have your people assemble all the relevant data, and return it to central. The decommissioning team will be 2 or 3 hours behind you.
CLIVE
Of course. Yes. Thank you.
FRANCESCA
Mr Godby. It’s been a pleasure to meet you. Please accept my personal apologies for the hardships you’ve faced working with us. I hope to see more of you in the future.
WARREN
Sure.
FRANCESCA
And what I need you to do, Bryony, is go back to your hole, give us everything we need to continue our work, then put your things in a box and get your skinny arse out of this company. And if you don’t cooperate, Clive, here has my permission to throw you out of a helicopter. And if you’d prefer that in two words rather than ten - piss off.
[A LONG PAUSE]
MALCOLM
Humm, yes, but feel free to eat up first. Clive, the table’s too long, pass the salt.